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| We're
sitting in a cheerful pub in Brighton. Why did you choose to
live in Brighton? RealAudio To
do music, you always need a little craziness to be effective.
You balance the craziness with the creativity without losing
the ability to do it. You
need to take a few risks to say anything. Sometimes the risks
are indulgent; sometimes they're going on somewhere special.
(Is that a bit earnest?) The
punk time was Your
comments sound somewhat negative, though. What were the positive
things about the punk era? Do
you think punk was more about the message than the guitar twiddling
and window dressing? Everybody seemed to have something to say. There's
much politics under the surface in your music. How do you think
politics and pop music work together? How
does that translate into punk today or what's called punk today?
(You can be an old codger if you want to.) With
the emphasis on the charts, it is difficult to distinguish between
the message and the style. People buy the style rather than the
message. Whats the chance of saying something that is controversial?
Is it less possible or more possible than a generation ago? How
do you think that the Internet effects the way people can say
new things? Would
you join in the pro-Napster chorus? What
does right and left mean in this context? Does it mean people
who have a clear income path versus those who don't? On the other
hand, is there a more fundamental social issue? It
sounds like a sixties litany. The fact that you should be pursuing
what you do and saying what you do and doing it on the outside.
You draw a lot from the sixties. It
was i Often
with the Punks in the seventies, you were labeled a hippie or
you were labeled a heavy metal. Do you think that sometimes the
baby was thrown out with the bath water? When you throw everything
out, you throw some good stuff out at the same time. How
do you find new things now? The world is getting increasingly
open, courtesy of the Internet. In the old days, you would say
you liked punk music and that was enough to focus you. How do
you find the focus now? How do you filter all the stuff that
is available? How does somebody in the street decide what he
or she would like to pursue? Going
back to Tokyo and the park-- do you think that because of their
distance they are more able to sense a message more independently
of style than we can? What
happens when Napster runs out and people like you and I have
to earn a living by people paying for our efforts. What do you
think is going to happen? Is
all property theft? You might write a song or you might build
an outside toilet. Is owning the outside toilet in your house
theft anymore than owning the song, if you make it yourself? What
system can replace it? Any speculations? The
consumer has dictated that The Spice Girls are How
can we break out of it, or is it terminal? You've
been self-effacing since the mid-seventies. You've written at
least one classic song, The
Toys Take Over, and there are others. How do you deal
with writing a classic song? You spoke out about the Hendrixes
and the food, but surely, a classic song has to exist in the
present, also. What
are the next projects? How do you find the path to what to do
next? What
do you think the landscape looks to somebody who is now the age
you were when you were in The Damned? Whats the difference
for somebody trying to say something now? Do
you think they can play guitar? Captain
Sensible at the Stereo Society (selection): Captain
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