Was
there any doubt in your mind that you would work with music? During the fifties, the focus of an aspiring musician wouldn't be so much on making a record as getting on stage and performing? Your
song writing career has spanned such a wide change
in the way that music is recorded and performed. Do you feel
that there is a different way of writing a song now than before, when
music was a strictly live experience? So, around this time you had your first record deal? I still have to pin you down to your first recording deal? There are quite a few notables playing on that CBGB's Christmas record. It was your idea to do Mud to a different drum in the early eighties. Do
you think the songs on your album are different in their new
forms? For example, Mud
is a powerful dance record and Rock
'n' Roll Jackson uses
electronics. Do you think they are the same songs or do you
think they have changed? What
do you think are the connections between your
music and, say, a raucous band at CBGB's? Do you think they
are part of the same musical spectrum? You
mentioned that your music doesn't fit. Perhaps, a few years ago, that was a very big disadvantage because there was no slot available for it. Do
you see things widening to the point where any type
of music which makes people sing, dance, laugh or cry will be accessible,
or do you think there will always be streams of types of music? The
final question is one which you must have been asked many times.
I suspect the answer is a moving target: "If you were
starting out today as an aspiring musician, how would you do it?
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