After Pink
Flag, which shocked us all by the ferocity of the favorable reviews,
we had to make an interim single before embarking on what was to be Chairs
Missing. Suddenly, the group was on the precarious edge of
commercial viability, despite the limited response to the first single
from that record (Mannequin). The singer and second guitarist, Colin Newman,
had acquired an MXR Flanger pedal (I forget how, but I remember acutely
that the one I bought out of my own pocket, specifically for the single's
recording sessions, was over £100 ($200 in 1978). The essence
of the single seemed to be turning all the controls to maximum. That
became the introduction to the track, and a classic sound. Somehow,
that introductory sound reminds me inescapably of Colin's personality.
We
experimented considerably on these quick sessions (taking about
three days for the whole recording). The loutish singalong chorus
was a cheerful departure
('I am the fly in the ointment/I can spread more disease/Than the
fleas that nibble away/At your window display').
People often took Wire more seriously than they took themselves, but
everyone cared deeply about what they were doing. The control room arguments
were endless and furious, although the most bitter shouting exchanges
would usually generate an improvement in the record under construction. Anyone's
idea was accepted for tryout; the good off-the-wall ones raised the
standard, the bad ones raised a good laugh.
At
EMI, executives were mildly roused by the vinyl result. Wire had
not been a group to schmooze unduly; their friends were acquired strictly
through the medium of the music. One
particularly conservative executive, a frequent corporate cultural
adversary, commented in a marketing meeting that 'it's funny, but it
really sticks in your head'. The cross-cultural
appeal was appreciated. Two years later, I was on the phone
from London to a friend in New York when the song came on WPLJ in
the background of her hotel room. The timing was so corny,
it had to be real. It
wasn't American big hit radio, but the track was working for people
and it was half way to culture shock having a strong reaction from
New York and Los Angeles.
When
the second album was recorded, there was hot debate about whether I
Am The Fly should be included, the spirit of the time being
to provide as much value on the album for the fans as possible
and not resell them something they had already acquired. But the strength of the track
forced it on us, even if it was the middle track on the second side of
the vinyl album.
-
MT March 2000
I
Am The Fly is included in the original Wire album Chairs
Missing, and
in the collection of tracks from their early years, On Returning.
Chairs
Missing is not available on Amazon.com. We partner with Amazon.com
to present other Wire's CDs. Click on the button below to go to Amazon.com
for browsing and shopping. You can return to the home page of
The Stereo Society by using the back button on your browser.
Wire
at the Stereo Society (selected
links):
To
Wire Central (all
links)
To
Wire 1977-79 by Kevin Eden
To
The Roxy London WC2 (Jan-Apr 77)
To
Pink Flag
To
Chairs Missing
To 154
To
I Am The Fly
To
Outdoor Miner
To
full text of Robert Gotobed's interview
To
the full text of Bruce Gilbert's interview
To Thorne's
home page
To
a 1978 Wire nite out in Middlesborough
To
a the book: Wire, Everybody Loves A History
To
the poster for Notre Dame Hall, London, 1979
To Kevin Eden's 1996 interview
with Thorne for the Wire newsletter
To Wire's concert review in the
New York Times
To
Wire discography
To Wir discography
To radio sessions log
To
Wire songs covered by other artists
To Bruce Gilbert discography
To Bruce Gilbert/Graham Lewis discography
To Robert Gotobed discography
To Graham Lewis discography
To Colin Newman discography
To Swim discography
To
Wire's 2001 concert review in the New York Times
Click
to download Wire historical memorabilia, text or hi-res graphic.
All are encoded as zip files.
Thorne's
commentary on making four albums with Wire (24K Word file)
The
Roxy, London WC2, (Jan-Apr 77), hi-res cover art 648K jpg
Pink
Flag, hi-res cover art 568K jpg
Chairs
Missing, hi-res cover art 556K jpg
154,
hi-res cover art 188K jpg
Bruce
Gilbert's mid-80s letter to Thorne, 176K jpg
Concert
poster, Notre Dame Hall, London, 1979 796K jpg
Complete
Thorne production commentaries:
Marc
Almond: Fantastic Star
Laurie
Anderson: Strange Angels
BETTY:
Hello BETTY!
BETTY:
Carnival
BETTY:
Jungle Jane remixes
Bronski
Beat: Age Of Consent
Bronski Beat:
Smalltown Boy
Bronski
Beat: Why?
Bronski
Beat: Hundreds And Thousands
John
Cale: Honi Soit
Carmel:
Bad Day
Carmel:
The Drum Is Everything
Carmel:
It's All In The Game
Communards
Deep
Purple: Fireball air conditioning
Flowerpot
Men: Walk On Gilded Splinters
Ives/Reinhard: Universe Symphony
Johnny
Reinhard: Ravening remix
Sex
Pistols: Anarchy In The UK
Sex
Pistols: Jubilee boxed set
Siouxsie
and the Banshees: Song From The Edge Of The World
Soft
Cell: Non Stop Ecstatic Dancing
Soft Cell: Non Stop Erotic Cabaret
Soft
Cell: Tainted Love
Soft
Cell: The Art Of Falling Apart
Soft
Cell: Torch
Soft
Machine: Alive And Well In Paris
Symphony
Of Saxes: White Cliffs Of Dover
Telephone:
Anna
The
Roxy London WC2 (Jan-Apr 77)
The
Shirts
The
Shirts: Streetlight Shine
The
The: Uncertain Smile
Til
Tuesday: Voices Carry
Wire: Pink Flag
Wire:
I Am The Fly
Wire:
Chairs Missing
Wire:
Outdoor Miner
Wire: 154
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