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Robert
Gotobed was interviewd by
What
does it feels like to be on your first American Tour? The
tensions you referred to is something I have observed from a distance
and sometimes close-to for many, many years. Do you think those
tensions are an essential part of intense music making or do you
think theyre
not necessary to make intense music?
What
were you doing in the few years when you werent part of Wire
and, secondly, when you came back to Wire, in view of what you
just said, At
some point in your life, you started calling yourself a drummer as opposed
to somebody who enjoys drumming occasionally which is probably about
the time that Wire was being formed. What do you think flipped the switch
there? Was
there a period after you left Wire where you didnt play drums
at all? While
you were away from Wire, you went through quite a few other drumming
situations, as it were. What did you do during that period? Who else
did you play with and with what type of ensembles? Youre
always coming back to being concerned that youre not a proper
musician. Do you think most musicians are always worrying about being
found out and thats what keeps a good musician on the toes as
opposed to being complacent? One
thing that struck me with your drumming last night was that it was even
more coherent and concise that it was in the olden days. In other words,
the pre-break. How did it feel to you coming back? What were the differences
when the four of you got back together again? Or the improvements. Did
you all settle back into the same creative patterns or did you find
yourselves taking different roles between the four of you in any way? There
are so many artists and musicians who mention Wire as being the seminal
influence in what they did--the group which started them off and which
projected them. You seem to have had an undue influence in that respect.
Is this something which startles you or something which inspires you? Whats
next for Wire? I have to ask the question. I do apologize.
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Wire
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