Sarah Jane Morris in interview

Sarah Jane Morris interviewed by Mike Thorne for the Stereo Society

Sarah Jane Morris’ larger-than-life voice helped front the enormous Communards hit Don’t Leave Me This Way which was four weeks at #1 in the UK in 1986. Before and since then she has pursued an idiosyncratic solo career ranging from Greek #1 disco hits to jazz, from singing Brecht/Weill with the Royal Liverpool Philharmonic Orchestra to winning the San Remo Song Festival then having her trophy swiped by Grace Jones. We have a raucous interview with her from June 29 2000 in London, also provided in streaming audio, laughs and all. Diversions include barbed wire scrapes and broken bones on a Greek island.

To the full text of Sarah Jane Morris' interview
To Mike Thorne's commentary on the Communards
w/streaming audio

To Sarah Jane's homepage
To the Official Sarah Jane Morris website

Downoad an mp3 of Sarah Jane Morris' 'Cry'

Do you think of yourself as an artist, a singer, or a performer or a writer?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


You won the San Remo Song Festival with a co-written song, didn't you?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


Where is your trophy?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


Well, at least you won.

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


You’re actually a pop star in Italy. Are you ever tempted to head for a more conventional course?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


You keep coming back to jazz. It seems to be central to what you do. Why do you gravitate towards that?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


The biggest success you had was with the Communards, the most prominent recording that you have made so far. Do you miss that success? Do you hanker after it or are you happy with the very flexible niche you are in at the moment?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


You’re successful in Italy, you’ve been Number 1 all over the world and you’ve also been Number 1, with your own writing, in Greece. How did that come about?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


You seem unduly fond of these countries. One of the other groups that you were with started off in Italy. Quite at the opposite end of the social scale.

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


What do you think are the limits to political expression in popular music? How far do you think social ideas can be defined, implied or expressed?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


The Communards are one example of political expression.

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


The artist, the singer and the writer have functions within society. But how should the people who can contribute be chosen? By what means? Do you think that society owes the singer a living?

You need an updated version of AdoGet Adobe Flash playerbe Flash Player to listen - click button to download.


To Bronski Beat/Communards Central
To Thorne's commentary on the Communards' production
Download a free 'Cry' and other tracks

Sarah Jane Morris external:
The official Sarah Jane Morris website