Soft Cell notes at the Stereo Society

Soft Cell was formed in 1980 by Marc Almond and Dave Ball when they were at art college together in Leeds, England. Their prime stage prop was a padded 'soft cell', which took more carting around than their electronic instruments and tape recorder. They were 'discovered' at a punk-electronic music festival and signed to Stevo's label Some Bizzare.

Daniel Miller, of the classic early electronic pop warm Leatherette and later to found the influential Mute Records, produced a fine and groundbreaking Memorabilia. Sale of the label to Phonogram found them with a single to do: Tainted Love. They were introduced to Mike Thorne, and started a relationship spanning three prominent albums and five consecutive UK top five singles. After splitting with Thorne, they made one album, This Last Night in Sodom, before quietly disbanding in 1984.

Solo projects followed. Marc was most active with Marc and the Mambas, Dave with The Grid. They reformed Soft Cell in October 2002 and have toured and recorded since, in addition to releasing solo work.

There are many articles on Soft Cell and Marc Almond at the Stereo Society, all about Thorne's production experiences with them. Not all were fun experiences, but lessons were learned.

	Soft Cell: Tainted Love 1981, UK single This song, a hit for Gloria Jones in the sixties, was clearly a strong one in some people's minds, since she re-recorded it in 1975, on her EMI album Vixen, co-produced with Marc Bolan just before the late-night car accident on Barnes Common, in West London, that killed him. By the late seventies, it had became a club staple on the English 'northern soul' circuit.....
	Soft Cell: Non Stop Erotic Cabaret 1982, UK album With the world going mad around and about us, it was time to record the follow-up to Tainted Love. That first major-label single from the group would go on be the biggest-selling single in the UK of 1981, eventually topping charts around the world and even making #8 in the US Billboard Hot 100 in a national market defiantly resistant to new sounds......
	Soft Cell: Non Stop Ecstatic Dancing 1982, UK album We had scored three consecutive top-five singles in the UK, and Tainted Love was so in demand and so over-used that some New York club Djs would be playing the UK 45rpm single at 33 1/3 in a desperate attempt to find a new angle. (US extended 12” singles were generally cut at 33, UK at 45, so this probably first happened as an enlightened mistake.....
	Soft Cell: Torch 1982, UK single In a pleasantly unguarded moment many years later, while working on Fantastic Star, Marc Almond and I would agree that Torch was the best single of the many tracks we made together in the intense and creatively productive period that included Soft Cell's first two albums. The dominant A side of what was intended to be a double-A side, brings together.....
	Soft Cell: The Art Of Falling Apart 1983, UK album Not knowing exactly when the phrase was coined, I’d guess that the title of the double album probably wasn’t invented until late in the recordings. But Soft Cell continued their uncanny knack of delivering songs and sounds which mirrored their current mental and psychological state. Unfortunately....
	Marc Almond : Fantastic Star 1994, UK album What was to become Marc Almond’s Fantastic Star CD was one of the most disappointing results of my whole commercial record production career, which it concluded. Its particular story seems to reflect the whole self-destructive malaise of the non-creative side of the business...